Deliver One of Season's Finest Performances", "Review: In 'Manon,' a Soprano Charms Her Way to the Top", "Review: Lisette Oropesa Makes 'La Traviata' Her Own", "Five Singers Named as Winners of Metropolitan Opera's 2020 National Council Auditions", "Metropolitan Opera National Council Auditions", "Roll out the superlatives: 'Caesar' is in town", "FGO serves up an entertaining and spectacular "Magic Flute", "Opera Review: SFO spins Mozart's magic in 'Le nozze di Figaro', "Lisette Oropesa to Sing Role of Nannetta in October 15 Performance of Falstaff", "Review: John Nelson Leads the Credo Festival Orchestra and Chorus in Haydn's The Creation (July 19)", "St. Matthew Passion treated as a music drama for today", "Ravinia's intimate Mozart magic remains with Conlon's well-cast "Figaro", "Food, Glorious Food: Falstaff at the Holland Festival is a Feast for the Eyes and Ears", "A Genve, Rigoletto ou la Dfaite de la Femme", "A colorful, fantastical Entfhrung at the Bayerische Staatsoper", "Parigi Opra Garnier: Il ratto dal serraglio", "Oropesa's Gilda steelt show in Rigoletto", "James Gaffigan conducts a full-blooded Rigoletto at the Concertgebouw", "N.O. Share on Facebook. [120] On September 30, she released her 5th album, "Rossini & Donizetti: French Bel Canto Arias"[121] According to Grammophone, "her sense of line often flawless, text, character and emotions exactingly conveyed". An accomplished actress..", In 2019, Lisette debuted the title role in Manon which was hailed by the New York Times by saying "Lisette Oropesas performance in Massenets opera at the Met is alone worth the price of admission. She does not have her theatrical madness either. [9] She also sang the role of the Rhinemaiden, Woglinde, in the Met's 2009 Der Ring des Nibelungen, and additionally sang the off-stage role of the Woodbird in Siegfried. [65] She once again returned to the Los Angeles Opera to perform her signature role as Gilda in Rigoletto, "Her "Caro nome" was a veritable how-to manual on holding an audience enraptured". In 2016, Oropesa performed many concert works, starting in Rome at the Accademia Nazionale di Santa Cecilia with Faur's Requiem, she then went to Baltimore to sing with Eric Owens in the Ein deutsches Requiem. 1,205 talking about this. . Even more stunning than her bravura was the melting glow at the centre of her voice, her morbidezza (softness)." So, how much is Lisette Oropesa worth at the age of 39 years old? Lisette Oropesa"" . "[79] She went on singing in a concert version of Robert le Diable at La Monnaie in Brussels. [88][89] On August 10, Lisette announced the signing of a five year contract with the San Francisco Classical Recording Company along with a Mozart Concert Aria album with Il Pomo d'Oro (orchestra). In between international appearances, Oropesa finds time to compete in marathon races. Select from premium The Three Sopranos of the highest quality. On this Wikipedia the language links are at the top of the page across from the article title. Ive had to learn to become more efficient in routines about everything in life, and make cuts where I have to make cuts, to not waste time on things that dont serve me.. In 2017, she started her year at the Lausanne Opera, performing her first Ophlie in Hamlet. The acclaimed operatic soprano Lisette Oropesa was singing Violetta's 'Sempre Libera' (Always Free) from Verdi's La Traviata, as an encore for her recital at the Verdi Festival in Parma, Italy.. [90] On August 14, she returned to the Arena di Verona to perform in a socially distanced Rossini Concert where she was "a triumph of belcanto as an elegance of the line, in a coloratura of supreme abstraction and captivating precision". [22][23], In 2013, the soprano sang the role of Pamina in The Magic Flute at Florida Grand Opera and reviews were universally positive, as noted in several: "Oropesa was beyond fantastic in her portrayal of Pamina. In April and May 2012, Oropesa appeared with the Pittsburgh Opera as Konstanze in a production of Die Entfhrung aus dem Serail set on the Orient Express in the Pasha's private train car. "[70] In September, Lisette replaced Diana Damrau, who withdrew due to illness, as Marguerite de Valois at the Paris Opera in the company's new production of Les Huguenots[71] where she "comprehensively conquered the hearts of the Paris audience. Rebecca called in a favor with Grayson, who agreed to hear Lisette sing. She has a wide repertoire that includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini. She is from United States. . She is from United States. In September 2010, she reprised her Rhinemaiden in the Met's season-opening production of Das Rheingold, for which she won a Grammy Award for Best Opera Recording in 2013. [1] She has a wide repertoire that includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini. Lisette Oropesa is one of the most in-demand lyric coloraturas today, who performs leading roles regularly at the most important opera houses around the world. De nuevo, una gran figura de la pera mundial, la estadounidense-espaola Lisette Oropesa, cuyas races personales y artsticas ahondan en lo hispnico, ha debutado en el coso de la Calle de Jovellanos, convocndonos a un recital -acompaada por el pianista Rubn Fernndez Aguirre - diseado con una atractiva mezcla de distintas esencias These concert arias, written for important sopranos in his life, contain the most lavish and virtuosic music Mozart composed, both for the voice and for the orchestra. She was "Considered by many to be this year's revelation of the ROF.". [62] From this recital, Lisette digitally released her second album entitled, "Aux filles du dsert". But in the past year, shes also earned both the Richard Tucker Award and the Beverly Sills Award, two of operas top prizes. Who Is Lisette Oropesa's Husband? Tweet on Twitter. "Lucia is her first Royal Opera role, and the Cuban-American soprano is sensationally good." "[16], In 2020, Lisette returned to the Metropolitan Opera for her second title role of the season, Giuseppe Verdi's La traviata. [45] Next, she performed Mahler's Symphony No. [127] There's a certain etiquette that audience members generally adhere to while watching a live performance, and that goes doubly for the opera world. Headlining this umpteenth revival were Lisette Oropesa and Liparit Avetisyan (as Violetta and Alfredo) two singers who had considerable success in the recent new Rigoletto. Lisette Oropesa () 1983929 12 22100 2008 The New York Times noted that "The bright-voiced, impressive soprano Lisette Oropesa is a sunny, winning Sophie.". Oropesa speaks of her own packed schedule with love, calling it an amazing, beautiful calendar, but she and Steven still make a point to get back to Baton Rouge, where they keep a home, as often as is feasible; its important to Oropesa to find ways to give back not only to LSU but to any young artist who could use the direction and honest takes on being part of the opera world. "[27] She was also called in as a last minute replacement for Nannetta in San Francisco Opera's Falstaff. [124], In 2023, Lisette sang her first performances of the year at the Bayerische Staatsoper in "I masnadieri". She returned home to New Orleans to be acclaimed as Susanna. [5], Oropesa was born in New Orleans, Louisiana, and raised in Baton Rouge, Louisiana. Lisette Oropesa has performed in some of Europe's most renowned opera houses, but today's she nervous. "[108] She then went on to give two lieder recitals, one in Valencia, Spain and the other in Vienna, Austria. Her pianissimo, crescendo and decrescendo were breathtaking. privacy and cookies, Lisette Oropesa as Norina in Don Pasquale, Glyndebourne, photo by Bill Cooper, Lisette Oropesa as Konstanze in Die Entfhrung aus dem Serail, Opera National de Paris, Lisette Oropesa in Orfeo ed Euridice, Metropolitan Opera, photo by Marty Sohl, Lisette Oropesa as Gilda at the Met, photo by Cory Weaver. Her tone turned especially limpid on the little cadenza. In 2015, she was a contributor to Master Singers: Advice from the Stage which includes interviews from famous opera singers about "analysis and awareness of their technique, art, interpretation and stagecraft". [26] Later in 2013, she sang the role of Amalia at the Washington Concert Opera for Verdi's I Masnadieri in which she "achieved total triumph as Amalia, the trill-filled part created for Jenny Lind. Era entonces una soprano sin demasiado renombre, que acababa de obtener el premio Richard Tucker. I feel like its been slow and steady in just the right way.. Her "Deh vieni, non tardar" was unstrained and she managed to do a perfect martial arts flip of Figaro when she loses her temper with him later in the act". "Oropesas Marie lacked neither virtuosity nor personality. But her mother chimed in again, suggesting she audition for voice because opera combined all the things she loved: music, languages, acting and being on stage. Fresh off her "exceptional" run as Norina in Mariame Clment's Don Pasquale at this summer's Glyndebourne Festival, soprano Lisette Oropesa is gearing up to sing the title role in the first revival of Katie Mitchell's controversial production of Lucia di Lammermoor at the Royal Opera House. She then went on to perform a new production of Rigoletto at the Dutch National Opera directed by Damiano Michieletto, in this well-reviewed production, she was noted as being "Slender and graceful, soprano Lisette Oropesa was simply world-class as Gilda, with flawless emission and generous top notes, crystalline up to high E. The long trill at the end of "Caro nome" would have traced a perfect zigzag on a pitch visualiser. The day before her second performance of Adina, she sang her first ever solo concert with orchestra with the Philharmonic Gioachino Rossini. Oropesas path has never been linear. [48] Her next operatic role was a brand new production of Les Indes galantes with the Bavarian State Opera to which she performed to acclaim. The day after her final performance of Les Huguenots, she premiered another new role of Adina in L'elisir d'amore with a "Timbre ardent, projection homogne sur toute la tessiture, vocalises agiles, aigus scintillants." 8 with Yannick Nzet-Sguin and the Philadelphia Orchestra. Oropesa was a grand finals winner of the National Council Grand Finals at the Metropolitan Opera in 2005 and joined the Met's Lindemann Young Artists Development Program, from which she graduated in 2008. [41] She went onto another extremely successful debut in La traviata at the Philadelphia Opera "Oropesa manifested secure technical chopstrills, staccati, pinpoint dynamics andmost impressivelya long, sustained line that allowed her to hold the audience breathless in both "Dite alla giovine" and the party scene ensembles". Lisette Oropesa (born September 29, 1983) is an American operatic soprano of Cuban ancestry. She then returned to the United States to perform in Don Pasquale with the Pittsburgh Opera to great acclaim, having a voice "So sublimely expressive that they stand out like a Michelangelo fresco in a black and white film." Successful opera singers today dont really fit the profile of what they may have 20 years agothat idea of someone who is a diva, who always requires a lot of pampering and being looked after. She was then found in Munich performing for the UniCredit Festspielnacht. Would love your thoughts, please comment. Ive had to learn to be more efficient in practicing. "[82] In June, Lisette made her debut at the Teatro alla Scala in a new production of I masnadieri with an "Excellent debut for someone who has long been a guarantee throughout the world" [83] In November, Lisette returned to the Washington Concert Opera to perform Hamlet where she "melded dramatic sensitivity with a clean, pearly soprano. [31], Opera engagements included Nannetta at the Dutch National Opera;[32] Gilda at Grand Thtre de Genve;[33] and Konstanze at the Bavarian State Opera. Dancing with the Khan-MacKay family, Top opera singers discuss how they choose and prepare new roles, The Royal Ballets Steven McRae on injury: turning weakness into strength, Interview with Anna Netrebko on her son, his autism and his abandonment by his father Erwin Schrott, Meet Francesco Gabriele Frola National Ballet of Canada and English National Ballets new Principal Dancer, Interview with The Royal Ballets Lauren Cuthbertson so much passion. Translator Liesl Schillinger, soprano Lisette Oropesa, writer Fred Plotkin, and actor and director John Turturro decoding "Addio del passato" from Verdi's La Traviata. [116] At the same time, she was debuting at the Zrich Opera House in Lucia in an "electrifying interpretation". Next, she performed Mahler's Symphony No. Even more stunning than her bravura was the melting glow at the centre of her voice, her morbidezza (softness). I really had to buckle down, she says. Oropesa is a vegan, and avid runner/marathoner who has been featured in Runner's World Magazine. According to The New Orleans Advocate, she "offered a fine display of vocal versatility, from the lilting coloratura of a young woman in love to the confusion and anger of the object of the lascivious intentions of her overlord, Count Almaviva". Scribd ist die weltweit grte soziale Plattform zum Lesen und Verffentlichen. In 2020, Lisette was set to debut the role of Rosina in The Barber of Seville at the Paris Opera, however, six fo her performances were cancelled due to the ongoing 201920 French pension reform strike. Some of these pages will become unavailable for a period of time. Entertainment; La Traviata REVIEW: Lisette Oropesa breathes new life into Verdi's most popular opera. She spent the summer debuting the role of Norina in Don Pasquale at Glyndebourne where she received accolades in the role. I really started to fall in love with it, and it was like, flute has been really wonderful for me, but I think I can really do this, Oropesa says. [97], Her 2021 year started off with a performance with the Bilbao Opera in a recital that was an "unmitigated success". Her pianissimo, crescendo and decrescendo were breathtaking." In November, she continued her success by performing the role of Cleopatra in Michigan Opera Theatre's Giulio Cesare to acclaim. She is a member of famous with the age 39 years old group. La traviata is of course based on La Dame aux Camlias , an 1852 play by Alexandre Dumas fils with the character based on his lover Marie Duplessis; she was only 23 when . Lisette returned to the Met in late 2017 as Gretel in Hansel and Gretel in which "she was fully committed to arguably the most demanding of roles in this particular opera". [15], In 2019, Lisette debuted the title role in Manon which was hailed by the New York Times by saying "Lisette Oropesa's performance in Massenet's opera at the Met is alone worth the price of admission. She then went on to a highly successful role debut in La fille du rgiment at Pittsburgh Opera. She also performed at the Accademia Nazionale di Santa Cecilia in a bel canto concert performance with Sir Antonio Pappano. Star soprano Lisette Oropesa was surprised when an audience member joined her in an encore. [47] She was then found in Munich performing for the UniCredit Festspielnacht. I try very hard when I go to schools to give them a very frank, open, honest dialogue about what my experience has been so there are as few surprises as possible, Oropesa says. I masnadieri '' with orchestra with the Philharmonic Gioachino Rossini melting glow at the centre of her voice, morbidezza... Morbidezza ( softness ). role, and the Cuban-American soprano is sensationally good. just the way... 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