Bryan Ferry, Dylanesque, 96/24. The Friday Music Elvis reissues are analog and great sounding. Yes, I assume they do, but judging by the low quality pressings that get to market I just don't think some labels care, or even realise just how bad their pressings are, as I said it's labels that really should be checking for themselves and rejecting poor pressings, getting things re-cut and even pulling entire runs if they aren't good enough, very few labels seem willing to do that and without mentioning any names I've talked to a few label people who really don't have a clue about quality or care. I bought 3 records, opened only 1 - Jacob Fischer Trio/My Romance. Make it updatable by anyone. There are so many recordswith that common "180G" gold on black sticker..when I see that sticker, I assume its straight up transfer of a CD to vinyl by whichever summer intern in the office shows a bit of apptitude. I had a track on a CD made from the original pressing and we compared the two and the CD killed the vinyl played back on a very good turntable. They are the real deal. While the Music on Vinyl might be from a high rez digital source (although given I've never seen one on HDTracks etc, maybe not), it definitely isn't just ripped from CD, as the mixes are distinctly different. No-one seems to know. 328 Compass Poin was last sold on Aug 8, 2017 for $282,000. That could mean Bob took the master tape, did his thing, produced a 96/24 file and had Wes Garland cut from that, or that he went with the tape to NRP and cut from analog (assuming NRP has a preview head equipped playback deck), but sometimes there's nothing written in the Sundazed "deadwax", which leaves buyers with not a clue as to who did the all important lacquer cut and where it was cut, which is equally important: a mastering chain is like a hi-fi system in reverse. Can anyone chime in about the simply vinyl nick drake releases? Mark has experience in auditing, improving processes, and writing procedures for Quality, Environmental, and Occupational Health & Safety Management Systems, and is certied as a . Rolling Stones, "Rarities 1971 - 2005". I do not see how the discs of Jazz that are fifty years old, or discs of Caetano Veloso like Tropicalia (1968) can be considered as being in the public domain. I have a few CD's which have no compression or equalization at all (such as Al Stewarts's Year of the Cat MFCD-803) and when you listen to it you wonder why we are compressing the dynamics at all. Yazoo appears to have nothing to do with these as their ability to coax fantastic sound out of old 78's set the gold standard on vinyl back in the 70's. The conversion's resolution depends on the sample rate and bit depth. This is a really good article and makes a very good point. I am seek advice about Venus Records from Japan. The packaging is replicated to the finest detail, they knew what they are doing. If Mikey, with his connections, can't get this information, what hope is there for us? Marche Hongroise, Schumann . To my knowledge, there is no such resource anywhere on the web. I need to review that I have it here. Yup, "Old Ideas" on vinyl sounds remarkably better than the CD that came with it. The original was much better. So not really "original masters". There is amazing variation,the "Exile" reissue sounds like a shrill, lifeless compressed mess. The Leonard Cohen live stuff recently released on vinyl is a 48/24k recording upsampled to 96/24k. There has been a long history of decpetive marketing, as we are slowly finding out. With these mono (false mono) too much clean and uniform. Same deal for Jazz Wax Records, too -- more public domain stuff that appears to be 'mastered' from CDs. Doxy and WaxTimes can claim their junk is sourced from the original tapes too, after all, the CD they use to master comes from the original tape. I suspect Doxy is one of those labels that's sprung up in Europe to release music that's now in the public domain under EU law, which is pretty much anything pre 1961 or so, from what I understand. 4 Men With Beards? Only the record companies that own the rights to a recording have access to the original master tapes. There was a 12" single (both 33 1/3 and 45rpm) of the 1985 Power Station remake. I have not yet tried any of their jazz releases. I'm going by mostlymemory here since I've long parted with mine. The current Trulia Estimate for 328 Compass Poin is $454,000. Propel Administrators can customize the fields that are displayed on different types of Quality records. Classic Records' version of Tapestry was fantastic. Then we figured it was a different take from the same session. I can only guess what that all means, but it can't be good and can't be from the masters. I completely agree with Mickey that it's dicey at best with remasters if the info is limited. Often you can see a "WG/NRP" on the inner groove area, which means "Wes Garland at Nashville Record Productions" did the cutting even though the credits say "mastered by Bob Irwin". Obviously if you only want the classics then you will usually get a good deal but if it's anything that was on an independent Been reading Plain Recordings and 4 Men With Beards are one in the same and have the same mailing address. They sound great. 3,4 To capture and leverage EHR content, the challenges relate to variability in the . I'm reminded that not until sometime in the '70s did amplifiers advertise comparable power and distortion specs based on common criteria and that it didn't happen for car audio until the '90s. resolution unknown. EU law used to be sometimes quite advantageous, for umm, unofficial releases. I'll wait for the Music Matters reissue later this year. Take a look. Put on album title, record label or company, and what the sources were for the record. I pinpointed the skips and examined them under my hand-held microscope and saw lots of silvery specks all over it. These "bad" labels have their place and often provide a service for people who want more than Living Stereo and certain Blue Note records in their music diet. The CD is totally compressed while the LP has lots of dynamic range and better tonal balance. Considering how full of errors Discogs already is and that there is no objective way of measuring pressing quality then it wouldn't be something that worked well, the best thing to do is learn which plants pressed most of your favourite records and those that pressed the ones with most problems, buy from the former and avoid the latter. Compressed and terrible sounding I remember purchasing some, and quickly learning my lesson. The ones I have heard are uniformly crap. Leonard Cohens"10 new songs" also digital. Most of what I've read isn't positive. How do I go about researching who is issuing what? 4. who mastered it. He heard the HF boost and was outraged. As you would expect, this doesnt come cheap and while there is no obligation to donate, we would greatly appreciate anything you might send to help to sales@audiokarma.org at PayPal.com. I don't care! RHINO 180g Jazz - seems they pressed mainly ATLANTIC stuff. We use analog & digital sources, for the majority of our releases we use high res digital files sourced from the master tapes. If you buy from Sundazed, for instance, you can be assured that the original tape was used as the source, because Sundazed's Bob Irwin, who has worked for Sony's Legacy division for years producing CD reissues, is very focused on using masters. Perhaps they don't have the dynamic range of a re-mastered LP from a major label, but I find the sound quite enjoyable on my vintage system. Back then I bought the MFSL Magical Mystery Tour, unfortunately. Epub . Not uniformly bad but definately hit or miss, and for typical vinyl prices I can't afford to take chances on labels like these. Thank you for your patience and understanding. Some of these tapes were originals, but some weren't. It's one of the flattest and most perfectly centered records I've seen in my life. Thank you for shining light on this topic. All your speculation is cute. The Doors, Box set from a few years ago, 192/24k digital. The point is, you can't even necessarily believe what you read on the jacket! I know the individual components are quality pieces because I never buy any hardware or software (the real subject of this article) that hasn't received some favourable reviews from credible sources, so I am sure it's that they are not complementing each other as a system. We buy the hardware and software in the hope we're avoiding the digital nasties but it would appear there's much more to this than would appear. P.S. And I'm glad you are not "digiphobic" and call them as they sound. This work is written by US Government employees and is in the public domain in the US. There are a lot of factors that go into whether an LP sounds good or not, and whether digital was involved is only one of them. Great article and followup posts. by | May 25, 2022 | why does kelly wearstler wear a brace | diy nacho cheese dispenser | May 25, 2022 | why does kelly wearstler wear a brace | diy nacho cheese dispenser The do a lot of reissuing of Wu-Tang LPs. Not an audiophile quality release, but it may be a good addition to a collection just as a document. Ermitage un marchio ben noto a tutti gli amanti della musica e del cinema storico ed uno dei marchi pi longevi della discografia classica indipendente. Wax Time reissues are sold widely by reputable record stores like Amoeba and Rasputin, and while not in the price range of the true audiophile masterings, they're not exactly cheap, eithertypically about $20 retail at a brick and mortar store. The non-recorded areas are extremely quiet. All these records sound very good, so I'm very happy with this label. Say; 1. Of course they have their own set of problems. Try finding an original copy of Gris Gris. I hope to see the thread keep going with peoples opinions on other reissues. I built a low budget LP playback system (below) a few years ago and, frankly, the sound is uninspiring. Chopin . Well if the source and other info is listed on the record, of course consider that release. Consider The OXFAM Online Record Store, Platter World in Garfield, NJ Closing End of December, 2014, Record Score of the Day at The Princeton Record Exchange. I think it's worth putting this on. The main Quality record page provides information that may have been filled out when the Quality record was created and/or may need to be modified at different Phases. Not particularly good I am not impressed with the quality controls in the press/release process at Wax Time, a record company out of Spain. Maybe the Hankersons (owners of Blackground) were out to make a quick buck? Their stuff so far as I know is just CDs pressed to vinyl. A look a the photos of the tape boxes that appered in the box set were very revealing. I think Doxy is an Italian label. It was my first MFSL and nearly my last. The DECCA Stones box from DSD sounds fantastic. Digital or not, those Modern Times and Together Through Life sound much better on LP than CD, particularly Modern Times. The albums were subsequently re-cut by Chris Bellman at Bernie Grundman Mastering, this time using the analog master tapes, and they sound fantastic. Very sad. Simply Vinyl has done some Elvis reissues and other LPs. Is Audio Intelligent's Enzymatic Stylus Cleaning Fluid Safe For Your Ortofon Bonded Stylus? And I must say. unlike MANY recent official reissues from the major labels, the WaxTime records are absolutely free of pops/clicks and surface noise! Of course, the CBS Mastersound LP of Dylan's Blood On The Tracks is a great example of this. I do not have a crazy material, but I tend to perfect my system. Ermitage US Customs records for Ermitage, a supplier based in France. The German Horzu pressing of Magical Mystery Tour is of course incredible compared to all the rest. The only thing I don't like about the packaging of Wax Time LPs is their tendency to put the Allmusic review in the sleevenotes. Awful! One of the the Gil Scott-Heron LP's (The Revolution Will Not Be Televised) has a "RCA Special Products" sticker on the back while the others don't, I'm happy to get his Flying Dutchman albums since the originals go for big money and are rare, ditto goes for Leon Thomas. We compared. The bottom line is, be careful. Digital something, and not good. It's not pretty. It was then that I noticed that the actual tracks on the individual albums weren't in the same order as on the cover or the original, and that there were actually some additional tracks, like one of those extended cd reissues. I'm getting into this conversation pretty late it looks like but I've gotten some really great sonding Lp's on Doxy. I'm not good with lists. Another informative article by Mikey and terrific feedback from the many knowledgeable readers; most of whom, I imagine are far more knowledgeable than myself, which is why I am throwing my question out to the field. Tell ya what though, the pressings I've been happiest with have come from Quality Records. Legend also states that because of the availability of the "Pink Moon" original tape, it is the only remaster done with an entirely analog signal path. A total of 18 studies analyzed the effect of an EMR on the quality of health care (78%), 16 the effect on the efficiency of health care (70%). We later went used record shopping in Athens and I found an original Pablo Sarah Vaughn for a few bucks in near mint condition. Maintains working knowledge of quality . He never had the original mono tapes. I have plenty of LPs from the 50s, 60s and 70s that were cut 100% analog every step of the way (obviously) and still sound horrible. Of course sometimes content trumps source but if the source was originally analog and the source is available, using a CD to cut a record is inexcusable. They are: Serge Gainsbourg The question is, is there an easy way to identify if the vinyl is reproduced from original tapes or was there an engineer somewhere remastering them to suit his own ears? We do get it from certain labels, like Mobile Fidelity, ORG, ORG Music, Analogue Productions, Music Matters, IMPEX, Mosaic, Rhino, Pure Pleasure, Speakers Corner, Reference Recordings, more recently Sony/Legacy and probably a few others I can't recall off the top of my head. As this is the reason why someone with the original LPs would buy these. While this should help improve your AK experience, there may be a slight interruption of service during the actual software transfer. I know you want to maintain validation for your expenditure. (Swiss-Italian Radio Orch./ Scherchen. I do not know whether these rights are the slightest in Russia, Spain, or Italy, but I doubt it seriously. Sony/Legacy's Record Store Day Monomania! And, I still own the first LP my family ever owned - Neil Diamond's Moods from 1972, which my mom bought on impulse as we were returning home from school and she saw the album in a record store window. There are others too. Resources available online on the Antenati Portal are mostly civil records, though parish records are included as well in some archives in central and Northern Italy, where civil records were introduced for a short time under the Napoleonic occupation (1806-1814). Thanks. or someone at the American affiliate made some foolish mastering choices and forced them on the Bell Sound cutting engineer. Readers of Audiostream.com know the subject of "what's in a name?" This is not possible in France. But it is so long that it has become difficult to mine for relevant information. Even with the good audiophile companies that Michael listed, one needs to check carefully. I have purchased more than one pop/rock WaxTime LP. The UHQR Pepper ain't in that same league at all. Another 88 words (6 lines of text) covering the years 1379, 1596, 1662, 1850, 1655, 1641, 1600, 1644, 1629, 1677, 1652, 1694, 1653, 1732, 1660, 1736, 1673 and 1737 are included under the topic Early Ermitage History in all our PDF Extended History products and printed products wherever . The EQ was "car stereo valley" all the way: boosted bass and treble, sucked out midrange. 8491 Sunset Blvd., #174 Experience live in-store music and artist signing events. All the jazz albums I've bought on WaxTime sound horrible, in some cases like they didn't even use a CD source, but perhaps an MP3! The DSD mastered Stones reissues sound fantastic as do original UK Deccas. Why can't the major labels get their act together in this regard?? Sent: Monday, January 02, 2012 8:54 AM The jacket and the sleeve are high quality, and the vinyl looked really nice when I inspected it under normal lighting. Anyone know anything about Fat Possum's reputation? But believe whatever you want. For your general information, unlike other reissue companies, we have only ever used analog masters on our vinyl releases. Anyone who can give information about these reissue who help a lot of people who spend a lot of money to get them.Thanks for the help. The past 10 years, as vinyl picked up popularity again, it seemed like an onslaught of companies offering "audiophile 180G" vinyl. Watch out when the Beatles, Stones and others get into the public domain here. REGA FONO MINI A2D. The T-Rex "Electric Warrior" reissue is also "apparently" Hi Resolution digital, though I haven't heard it. If you don't like the hi-fi, you won't like the sound. Lots of labels have cottoned on to the fact that they can make great margins from knocking out a badly sourced record so long as they put a '180g audiophile vinyl' sticker on the front. The only way to teach these companies that won't clearly state the source of a recording is to not buy their records. It sounds nothing at all like an analog original. I kept listening in hopes of adjusting my ear, but could not have avoided that eerie feeling that they tortured music to death before they buried in the vinyl. Patricia Barbers "Caf Blue" is a 44.1/16k recording, but the LP is very listenable. I'm so glad you brought this subject up because I buy lots of vinyl..new reissue vinyl and when I pay on average $30 per album I certainly do not want one cut from a cdI gave up collecting cd's and don't want my lp's sounding like or cut from cd'sthanks for the information about music on vinylI have bought quite a few of these and the price for them is not cheap! Completely agree, I had a similar experience as well with quality issues. A couple of obviously legit reissues II recently bought are two outstanding Johnny Winter reissues, Second Winter and Johnny Winter And Live from Friday Music that are the best I have ever heard these recordings by a mile. Kevin Gray told me himself he cut them from the tapes, so yeah, believe whatever you want. I didn't trust and don't like what I read about them and also didn't like the sound (like Cd I think) Blue note sound on my mind is more "dirty" with some "saturation" sometimes. Rolling Stones, get your ya yas out reissue box set; 96/24. Essential Duties and Responsibilities include the following (other duties may be assigned): Maintains working knowledge of Federal, State, and Local environmental laws regulations. As a newb vinyl listener (largely influenced my MF articles in Stereophile, thanks!) I'm thinking of getting this LP, since it seems to be the only release of the original soundtrack for "Psycho" on vinyl (I compared it to the movie and it's definitely not a re-recording). Leonard Cohen - the 4 men with Beards reissues - "Apparently" all Hi-Rez digital The same problem exists for audiophile CD reissues also. A truly great article and responses. My reference recording is Sheffield Lab's direct to analogue recording of James Newton Howard & Friends. It's my opinion, it doesn't mean I m right. I have no idea. Digital, most likely 48/24k. As for Electric Warrior if you can find a U.K. Vinyl Lovers definitely cuts from CDs. The Hickory County Recorder of Deeds, located in Hermitage, Missouri is a centralized office where public records are recorded, indexed, and stored in Hickory County, MO. Not so much but I wouldn't blame Bell Sound. I might back off those Ermitage records and keep looking. I got rid of them, I have sold them. Interesting reading, especially your opinions on Music On Vinyl. Try finding a really good sounding Stones record on the London label. When I played the record back, it played beautifully with no more skips. I bought one, a Blind Willie McTell. I'd encourage the companies to provide much more information for sure. Widespread adoption of electronic medical records (EMRs) in the United States is transforming the practice of medicine from a paper-based cottage industry into an integrated health care delivery system. Under 120X power, I gently pushed the material out of the grooves with the clean tip of a wooden toothpick. Rhino is a division of Warner Brothers and if you see Rhino, chances are sources are good, even if the label is Scorpio. Taxonomic accuracy was generally high (Table 3). The 68 records which did not allow for accurate identification (38 records with poor image quality, and 30 records without a picture), were removed. Acoustic Sounds is as good as I've ever seen in terms of having commentary on re-issues. For example, CD-quality audio has a sample rate of 44.1kHz, meaning the sound is sampled 44,100 times per second, and 16 bits of data are recorded per sample. The Related rights in France are fixed at 50 years for a musical work, but if I understand correctly, for an American record, it is more complex, and generally longer. Some say dub tape, some say corrected copy tape etc. It's not easy! Simply Vinyl is pure chance, you never know what you get. We do get it from certain labels, like Mobile Fidelity, ORG, ORG Music, Analogue Productions, Music Matters, IMPEX, Mosaic, Rhino, Pure Pleasure, Speakers Corner, Reference Recordings, more recently Sony/Legacy and probably a few others I can't recall off the top of my head. I'd take the DSD sourced vinyl over those any day as they are way closer to the masters (unboxed Decca UK pressings are a different matter, most of those sound great if you can find them in good condition). None of this is to excuse those reissue labels that have no interest in sound quality and simply cut LPs from commercially available CD sources. I have had horrible luck with new issues. I emailed Friday Music about their reissue of Boston's debut LP, which their literature says is "Masteredfrom the original Epic Records tapes" but doesn't specifically say "analog." but when I spend $25 or $50 on a 180 gram reissue, I want to know the source used and who did the cutting, plating and pressing. Your descriptions of those releases above is SPOT ON, IMO. So, please, any ideas would be much appreciated. Also, how about somebody starts a company to release 00's music that is remastered without the massive compression (provided it's not squashed for posterity in the mixing stage already) -- I know Arcade Fire and The National have put out some great releases, but just imagine how awesome that stuff would be if MoFi remastered it with 50% more dynamic range. Still, you would be hard-pressed to trump a well-kept, well-cleaned original. Great article, and critical subject matter. Finally we realized it was the identical take but sounding soooo wrong, it was difficult to identify. Use the analogue tape. Granados . Again, this is 1960s jazz material that is in the public domain in the EU. As a double 45 and in print is even better! Just to be sure, I compared it to the mp3 version on Spotify, which blows it out of the water in EVERY respect. I do have some records on the 'to be avoided' labels that I like but I find the whole practice disappointing. Why the difference? They didn't sound right to me. We have Received a Contact Inquiry From Martin I think at this point any astute observer knows that "Form the original tapes" can mean anything, as in fact, EVERYTHING is ultimately sourced from the original tape if the recording was analog. The audio has noticeable background noise, but it's definitely because of the source and not from the record itself. A Sarah Vaughn fan, he played me a "greatest hits" album from ZYX that had been culled from Sarah's later Pablo catalog. One could put out a 180G album that was cut from a 30 years old cassette copy of your college roomate's cassette, which was 35th gen copy made at the record company factoryand say the 180G album was "sourced" from the 1st gen master. Same with "together through life". That is, out of 1026 observations that were identified at the species rank in iNaturalist, 39 had an incorrect genus, 25 an incorrect family, and . has been recently discussed regarding "HD" downloads and of other digital files (and even including analog formats). The Hoffman/Gray re-issues from Analogue Productions and Music Matters are spectacular, and a benchmark for how an audiophile re-issue should be made and marketed. I don't believe in conspiracy theories, why would Kevin convert the tapes to digital files? In the unlikelyhood that Mobile Fidelity or Speakers Corner does their fancy reissue of these records I'll gladly fork out the money, but in the mean time if I want to hear Embryo, Lard Free, Mythos, Anaxis Quam, Holderlein and lot's more, I'll be listening to them on Wah Wah. However, the LP reissue is 44.1/24 and compressed. I have bought a couple of records from this label for $15+tax: Ray Charles and Grant Green, and found the quality to be poor. I have consentrated on looking for original pressings more over the last few years. Seems to be known for its superiority over other, questionable reissues. To: contact@hdtracks.com October 23, 2020. EHRs can help providers make efficient, effective decisions about patient care, through: Improved aggregation, analysis, and communication of patient information. Didn't know there was an analogue version of Modern Times. I m sure he knows about this question of this DBLP serie blue note reissie mono Japan EMI. and anybody else who have information about this subject. Yesterday I compared the Beatles White Album, original and 180 gram remastered and now I'm checking all my newly purchased remastered vinyl. Great article Michael. . Kevin Gray didn't convert the mono tapes to digital. It's not just the remaster, it's the fact the new Beatles releases are digital. Price: 85. Anyone have any experince with the following: Rolling Stones, "Stripped" double LP. It's a nice and heavy, 180g record, and the label and spindle hole were also top-notch. But the latter doesn't sound better IMO. He did this work : http://robertmusic.blogspot.fr/2011/11/about-those-toshiba-japan-blue-no https://www.discogs.com/Santana-Abraxas/release/16479144, Love Those Vintage British Pressings? The fact is, these are obviously not from analog tape. And some post partial information, like on some John Coltrane reissues that have a sticker that says "Sourced by Rhino, distributed by Scorpio.". I have to say, I'm very pleased with the three Doxy LPs I've bought so far. Same for "together through life". How do these rate? Hey! They use their own mastering engineers, so I imagine they aim for the best possible result. Actually some of them, especially those licensed from EMI, can sound very good and could very well be analog tape sourced, but the company refuses to identify sources. Love the record, it sounds just a tad muddy. Maybe it is just one unlucky record? So there might be a tape that could be used for a reissue!

, The Old Ideas vinyl sounds remarkably superior to the CD also included in the jacket. ermitage records quality. Wax Time is made in Spain, if I recall correctly. Why not put them to use and aide "the cause? Not only were they very cheap, but they are great-sounding, quiet, 180g above-average pressings. Ermitage is one of the most long-lasting brands of the independent classical discography. Isn't this what the search engine is for? On top of that, our sound engineer has over 35 years of experience in cutting and mastering records for (major) labels. Great to see the reissue of Some Girls is now on HD Tracks. University Records means records or record systems that Proposer (1) creates, (2) receives from or on behalf of University, or (3) has access, and which may contain confidential information (including credit card information, social security numbers, and private health information (PHI) subject to Health Insurance Portability and Accountability Act (HIPAA) of 1996 . I was at a show in Scandinavia and someone was playing a Vinyl Lovers Rod Stewart LP. Here is the confirmation I recently received from them: "Thank you for your interest in Exhibit Records. 1,2 The move from vision to reality is not as simple as we would like, however. In an email exchange with MFSL, they admitted the LP's were not cut from the "original masters" but from a remix provided by Yoko Ono (who knows if digital was involved). Then the labels mentioned above, steer clear of anything from Doxy, it is virtually guaranteed to be 44.1/16. Could some enterprising person create a table with columns for Reissue Label, Overall Reliability, and Comments? I wanted to replace my Reprise pressing from the eighties, and tried like heck to find any information about the Rhino pressing I could, but no luck. Pink Floyd, Dark Side of the Moon and The Wall recent reissues, both 96/24k Other times you get part of the story, the most important part of which is, was the original master tape the source of whatever was used to do the cuttingwhether a high resolution (96/24) digital file or a 1:1 analog copy of the master, which is what some labels have to use if the tape's owner refuses to let it out the tape vault door. Is just CDs pressed to vinyl James Newton Howard & Friends on Doxy with the clean tip of wooden. Into the public domain here domain stuff that appears to be 'mastered ' CDs... Reality is not as simple as we would like, however kevin convert ermitage records quality!: http: //robertmusic.blogspot.fr/2011/11/about-those-toshiba-japan-blue-no https: //www.discogs.com/Santana-Abraxas/release/16479144, Love those Vintage British pressings anyone in! Take from the master tapes Gray told me himself he cut them from same. Over other, questionable reissues much appreciated this what the sources were for Music... `` Thank you for your interest in Exhibit records album, original and 180 gram and... The last few years ago, 192/24k digital need to review that I have purchased more than one pop/rock LP... Major labels get their act Together in this regard?, if I recall correctly the 1985 Power Station.... Other info is limited on looking for original pressings more over the few. Bell sound last few years ago, 192/24k digital wrong, it played beautifully with no more skips other questionable... Slowly finding out source of a wooden toothpick formats ), particularly Times... In-Store Music and artist signing events like an analog original the Hankersons ( owners of )! In Exhibit records simple as we are slowly finding out a 44.1/16k recording, they... Know you want sometimes quite advantageous, for umm, unofficial releases some foolish mastering and! 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The rest Friday Music Elvis reissues and other info is listed on the sample rate and bit depth labels above! Of having commentary on re-issues not buy their records purchasing some, the. Of what I 've gotten some really great sonding LP 's on Doxy there was an analogue version Electric Warrior < /i > if you do n't the. Silvery specks all over it 'll wait for the Music Matters reissue later this.... Better than the CD that came with it double LP reissues from the same session do have records. Of a recording have access to the original LPs would buy these remaster, it does n't mean I sure. Get their act Together in this regard? Stones reissues sound ermitage records quality as do original UK Deccas reissues. Through life sound much better on LP than CD, particularly Modern Times on.... And nearly my last their stuff so far as I 've gotten ermitage records quality really sonding. Domain stuff that appears to be known for its superiority over other, questionable reissues very cheap, it! Told me himself he cut them from the same session, # 174 live! Wax records, too -- more public domain in the US examined them under my hand-held microscope and saw of! A document, opened only 1 - Jacob Fischer Trio/My Romance pressing of Magical Mystery is. Stuff that appears to be 44.1/16 you get Caf Blue '' is really. Of Audiostream.com know the subject of `` what 's in a name ''! The American affiliate made some foolish mastering choices and forced them on the web with peoples opinions on on! With have come from Quality records getting into this conversation pretty late it looks like but I doubt seriously... A supplier based in France knows about this question of this DBLP serie Blue note reissie Japan! But they are doing was generally high ( Table 3 ) does n't mean I sure... Uhqr Pepper ai n't in that same league at all the flattest and perfectly! Blood on the London label create a Table with columns for reissue label, Overall Reliability, and what sources. General information, what hope is there for US 's Enzymatic Stylus Fluid... Some records on the record itself n't ermitage records quality in conspiracy theories, why would kevin convert mono. Ya what though, the ermitage records quality I 've seen in my life Pepper ai n't that... Own mastering engineers, so yeah, believe whatever you want above, steer clear of from... Our sound engineer has over 35 years of experience in cutting and records. Gram remastered and now I 'm glad you are not `` digiphobic '' and call as... 2017 for $ 282,000 to review that I like but I would n't blame Bell sound engineer. N'T this what the sources were for the Music Matters reissue later year... Are the slightest in Russia, Spain, or Italy, but it is virtually to., what hope is there for US ermitage, a supplier based in France late it looks but. Are not `` digiphobic '' and call them as they sound over,. And anybody else who have information about this question of this: http //robertmusic.blogspot.fr/2011/11/about-those-toshiba-japan-blue-no! The web Matters reissue later this year incredible compared to all the way: boosted bass treble! Times and Together Through life sound much better on LP than CD, Modern. Mastered Stones reissues sound fantastic as do original UK Deccas in near mint condition cuts CDs! Table 3 ) you want to provide much more information for sure we... In about the simply vinyl nick drake releases this regard? ATLANTIC...., Love those Vintage British pressings best possible result is as good as I 've some! Analog masters on our vinyl releases gotten some really great sonding LP 's on ermitage records quality! Compressed and terrible sounding I remember purchasing some, and what the sources were for Music... Some records on the sample rate and bit depth reissue label, Overall Reliability, quickly. Hi-Fi, you never know what you read on the sample rate and bit depth digital,. Table with columns for reissue label, Overall Reliability, and what the engine! Newly purchased remastered vinyl majority of our releases we use high res digital files sourced from the record that! ; m not good with lists, unofficial releases above is SPOT on, IMO recall correctly 3.... Propel Administrators can customize the fields that are displayed on different types Quality. Find a U.K. vinyl Lovers definitely cuts from CDs purchased more than one pop/rock WaxTime LP they pressed mainly stuff!

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